From Affection to Violence: The Treatment of Animals in Pompeian Sculpture

G. Appleton 1987. Animal Sculpture from Roman Gardens Buried by Vesuvius, diss., Newcastle upon Tyne.

C. Asplund Ingemark – D. Ingemark 2020. Representations of Fear: Verbalising Emotion in Ancient Roman Folk Narrative (FF Communications 320), Helsinki.

L. Bodson 2000. “Motivations for Pet-Keeping in Ancient Greece and Rome: A Preliminary Survey”, in A. L. Podberscek – E. S. Paul – J. A. Serpell (eds.), Companion Animals and Us: Exploring the Relationships between People and Pets, Cambridge, 27–41. https://doi.org/10.1017/9781108667593.003

K. Bradley 1998. “The Sentimental Education of the Roman Child: The Role of Pet-Keeping”, Latomus 57: 523–557.

E. Breton 1870. Pompeia: Décrite et dessinée par Ernest Breton. Suivie d’une notice sur Herculanum, Paris.

H. Brunn 1863. “Scavi di Pompei, Cuma e Pesto”, Bullettino dell’Instituto di corrispondenza archeologica, 86–107.

G. L. Campbell 2014. The Oxford Handbook of Animals in Classical Thought and Life, Oxford. https://doi.org/10.1093/oxfordhb/9780199589425.001.0001

D. Comparetti – G. De Petra 1883. La villa ercolanese dei Pisoni, i suoi monumenti e la sua biblioteca, Torino.

E. Curtius 1879. “Brunnenfiguren”, Archäologische Zeitung 37: 19–22.

E. De Carolis 2011. “111 Monopodium”, in P. Nizzi – S. De Caro – V. Sampaolo – A. Varone (eds.), Pompéi: Un art de vivre, Paris, 146.

M. De Vos 1976, ”Scavi Nuovi sconosciuti (I 9, 13): pitture e pavimenti della Casa di Cerere a Pompei”, MNIR 38: 37–75.

M. De Vos 1990. ”I 9, 13 Casa di Cerere”, in I. Baldassare – G. Pugliese Carratelli (eds.), Pompei Pitture e mosaici 2, Roma, 172–229.

E. J. Dwyer 1981. “Pompeian Oscilla Collections”, MDAI(R) 88: 247–306.

E. J. Dwyer 1982. Pompeian Domestic Sculpture: A Study of Five Pompeian Houses and their Contents, Roma.

H. Döhl 1976. Plastik aus Pompeji, Göttingen.

H. Döhl – P. Zanker 1979. “La Scultura“, in F. Zevi (ed.), Pompei 79 raccolta di studi per il decimonono centenario dell’eruzione vesuviana, Napoli, 177–210.

L. Fergola 2007. “3.B.6 Statua di fanciullo con oca”, in G. A. di Pasquale – F. Paolucci (eds.), Il giardino antico da Babilonia a Roma, Firenze, 262.

G. Fiorelli 1873. Gli scavi di Pompei dal 1861 al 1872. Relazione al Ministro della instruzione pubblica, Napoli.

Th. Fögen – E. Thomas 2017. Interactions Between Animals and Humans in Graeco-Roman Antiquity, Berlin – Boston. https://doi.org/10.1515/9783110545623

GdS n.s. = Giornale degli scavi di Pompei, Nuova serie, Napoli 1868–1879.

J. Huskinson 1996. Roman Children’s Sarcophagi. Their Decoration and its Social Significance, Oxford. https://doi.org/10.1093/oso/9780198140863.001.0001

W. F. Jashemski 1979. The Gardens of Pompeii, Herculaneum, and the Villas Destroyed by Vesuvius, New Rochelle NY.

W. F. Jashemski 1993. The Gardens of Pompeii, Herculaneum, and the Villas Destroyed by Vesuvius 2 Appendices. New Rochelle NY.

B. Kapossy 1969. Brunnenfiguren der hellenistischen und römischen Zeit, Zürich.

A. King 2002. ”Mammals”, in W.F. Jashemski – F.G. Meyer (eds.), The Natural History of Pompeii, Cambridge, 401–450.

T. Korhonen – E. Ruonakoski 2017. Human and Animal in Ancient Greece: Empathy and Encounter in Classical Literature, London – New York. https://doi.org/10.5040/9781350986749

I. Kuivalainen 2019. “Marble Sculpture”, in R. Berg – I. Kuivalainen (eds.), Domus Pompeiana M. Lucretii IX 3, 5.24: The Inscriptions, Works of Art and Finds from the Old and New Excavations, Helsinki, 68–116. https://doi.org/10.54572/ssc.131

Le Collezioni del Museo Nazionale di Napoli 1.2, Archivio Fotografico Pedicini, Roma – Milano 1989.

LIMC = Lexicon Iconographicum Mythologiae Classicae, Zürich 1981–1999.

Marmora Pompeiana = A. Carrella – L. A. D’Acunto – N. Inserra – S. Colomba 2008. Marmora Pompeiana nel Museo Archeologico Nazionale di Napoli, Roma.

Mastroroberto 1992. “Fontana con amorino, delfino, onda marina e polipo/Fountain with Cupid, dolphin, octopus and seascape”, in Rediscovering Pompeii, Roma, 266, 267, 269.

MB = Real Museo Borbonico 1–16, Napoli 1824–1857.

A. Mau 1908, Pompeji in Leben und Kunst, 2. verbesserte und vermehrte Auflage, Leipzig.

C. F. Moss 1988. Roman Marble Tables, diss., Princeton.

NSA = Notizie degli Scavi di Antichità, Roma 1876–.

J. Overbeck – A. Mau 1884. Pompeji in seinen Gebäuden, Alterthümern und Kunstwerken, Leipzig.

F. Paolucci 2007. “3.B.36–37 Putti con anatra e grappolo d’uva”, “3.B.43 Fanciullo seduto con coniglio”, in G. A. di Pasquale –

F. Paolucci (eds.), Il giardino antico da Babilonia a Roma, Firenze, 291, 295.

J. Perfahl 1982. Dankbarkeit der Delphine und andere Tiergeschichten der Antike, Bremen.

J. J. Pollitt 1986. Art in the Hellenistic Age, Cambridge.

S. Reinach 1897. Répertoire de la statuaire creque et romaine 1–2, Paris.

B. S. Ridgway 1970. “Dolphins and Dolphin-Riders”, Archaeology 23.2: 86–95.

A. Ruesch 1908. Guida illustrata del Museo nazionale di Napoli, Napoli.

H. Rühfel 1984. Das Kind in der griechischen Kunst von der minoisch-mykenischen Zeit bis zum Hellenismus, Mainz am Rhein.

R. R. R. Smith 1991. Hellenistic Sculpture. A Handbook, London.

A. Sogliano 1898. “La casa dei Vettii in Pompei”, MonAnt 8: 233–388.

B. Stevens 2009. “Pliny and the Dolphin – or a Story about Storytelling”, Arethusa 42: 161–179. https://doi.org/10.1353/are.0.0021

J. M. C. Toynbee 1973. Animals in Roman Life & Art, republished 2013, Barnsley.

A. van Buren 1963. “News Letter from Rome”, AJA 67.4: 397–409. https://doi.org/10.2307/501623

A. Varone 1991. “Bambino con delfino. Statua di fontana”, in R. Cappelli (ed.), Viae publicae Romanae, Roma, 102–104.

A. Varone 2007. “Pompei: l’insula dei Casti Amanti”, in G. A. di Pasquale – F. Paolucci (eds.), Il giardino antico da Babilonia a

Roma, Firenze, 136–141.

A. Varone 2011. “175 Enfant au dauphin (statue de fontaine)”, in P. Nizzi – S. De Caro – V. Sampaolo – A. Varone (eds.), Pompéi: Un art de vivre, Paris, 194.

J. Ward-Perkins – A. Claridge 1976. Pompei 79, London.

G. E. Watson 2002. “Birds: Evidence from Wall Paintings, Mosaics, Sculpture, Skeletal Remains, and Ancient Authors”, in W.F.

Jashemski – F.G. Meyer (eds.), The Natural History of Pompeii, Cambridge, 357–400.

W. Wohlmayr 1989. Studien zur Idealplastik der Vesuvstädte, Buchloe 1991.

P. Zanker 1987. Augustus und die Macht der Bilder, München.