Vol 3 (2018): Journal of the International Society for Orthodox Church Music | Journal of the International Society for Orthodox Music

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Journal of ISOCM Vol. 3 cover

Editors

Ivan Moody & Maria Takala-Roszczenko

Publisher

The International Society for Orthodox Church Music

2018

Published: 2018-11-24

Editors' Note

Editors' note

Ivan Moody, Maria Takala-Roszczenko

i
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Peer-reviewed Articles

Фактура в восьмиголосных партесных концертах второй половины XVII – первой половины XVIII века (к вопросу типологии) Texture in eight-part Partes concerts from the second half of the seventeenth – first half of the eighteenth century (questions of typology)

Bogdan Demianenko

1-21
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История церковной музыки через призму деятельности украино-белорусских митрополитов и епископов XVII века The history of church music seen through the activities of Ukrainian-Belorussian metropolitans and bishops in the seventeenth century

Ivan Kuzminskyi

22-38
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Conference Papers

"Traditional innovation" in Byzantine Chant The case of kalophonia

Maria Alexandru, Athanasios Delios, Apostolia Gorgolitsa, Symeon Kanakis, Dimosthenis Spanoudakis, Dimos Papatzalakis, Maria Chaleplidou

39-63
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A short study on the compositions of the 'mathēma' Ἄνωθεν οἱ προφῆται, from the "Golden Age" of kalophonia (14th–15th centuries) as food for thought on the concepts of eponymity, tradition and innovation in Byzantine music

Gregorios G. Anastasiou

64-80
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The theory of music intervals during the era of the Byzantine Maistores

Thomas Apostolopoulos

81-94
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Joy, catharsis, and (eu)catastrophe

Christopher Ashbaugh

95-100
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From the Cretan chanting tradition of the 16th–17th centuries A radical and original musical setting of the Great Doxology

Dimitrios K. Balageorgos

101-107
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Different aspects of chants by contemporary Georgian composers as revealed through variations in performance

Eka Chabashvili

108-111
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A newly-discovered manuscript by Bohuslav Martinů on the Byzantine Octoechos

Marios Christou

112-120
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"Χριστοῦ τὸν ἱεράρχην": the course of the sticheron from the old (non-kalophonic) to the kalophonic melos

Athanasios Delios

121-132
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The correlation of Western and Eastern elements in Serbian church choral music of the first half of the 20th century

Bogdan Djakovic

133-137
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How early can you go? Coptic Chant in Western transcription

Mena Mark Hanna

138-150
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How were stichera sung at Valaam?

Jopi Harri

151-184
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Choral chant organized as homophony

Eugene Kindler

185-190
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Byzantine compositions entitled "Dysikon" (Western) and "Fragikon" (Frankish) A working hypothesis on potential convergence points of two different traditions

Flora Kritikou

191-199
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Services to St Daniel of Moscow Tradition and a new way of creation

Victoria Legkikh

200-219
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Φως ιλαρόν: From the various settings through the history of ecclesiastical chant to the latest composition by Prof. Gregorios Stathis

Sevi Mazera

220-229
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Ars Nova. New art and renewed art

Ivan Moody

230-235
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Tradition and innovation in Romanian Orthodox Chant – "Our Father"

Ionuț-Gabriel Nastasă

236-247
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Byzantine church music between tradition and innovation

Vesna Sara Peno, Zdravko Peno

248-252
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Handwritten Irmologia – an innovative means of the transmission of liturgical music in the Carpathian area

Mária Prokipčáková

253-263
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The heirmos of the ninth ode as a replacement for Axion estin A new kind of composition during the 19th century?

Michael Stroumpakis

264-284
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Nodar Mamisashvili's Passion as an example of mixing old and new elements in 20th-century Georgian sacred music

Maka Virsaladze

285-294
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Miscellanea

The genre system of early Russian hymnography: the main stages and principles of its formation

Elena Kolyada

295-312
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A sticheron for the Feast of the Dormition of the Mother of God

Nina Zakharina

313-351
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Reviews

The Virgin in Song: Mary and the Poetry of Romanos the Melodist By Thomas Arentzen. Pennsylvania University Press 2017. xvii + 270 pp.

Hieromonk Damaskinos (Olkinuora) of Xenophontos

352-353
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The Hymnographic Book of Tropologion: Sources, Liturgy and Chant Repertory By Svetlana Kujumdzieva. Routledge 2018. ix + 184 pp.

Hieromonk Damaskinos (Olkinuora) of Xenophontos

354-355
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Aural Architecture in Byzantium Ed. Bissera V. Pentcheva. Routledge 2018. xiii + 258 pp.

Ivan Moody

356-357
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ПРАВОСЛАВНО ПОJАЊЕ НА БАЛКАНУ НА ПРИМЕРУ ГРЧКЕ И СРПСКЕ ТРАДИЦИJЕ - између Истока и Запада, еклесиологиjе и идеологиjе By Vesna Sara Peno. Institute of Musicology of the Serbian Academy of Sciences and Arts, Belgrade 2016. 328 + 35 pp. illustr. (including English summary)

Stefan Harkov

358-359
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