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Vol. 4 No. 1 (2020): Journal of the International Society for Orthodox Church Music

Cover of the Journal of the International Society for Orthodox Church Music

Editors

Ivan Moody (Editor-in-chief), Maria Takala-Roszczenko (Editorial Secretary)

Yulia Artamonova, Margaret Haig, Andrew Mellas, Nina-Maria Wanek

Publisher

The International Society for Orthodox Church Music

2020

Published: 2020-06-08

Full Issue

Full Issue (PDF)

Editors' Note

Editors' Note

Fr Ivan Moody, Maria Takala-Roszczenko

v
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Peer-reviewed Articles

Visible and Invisible, Audible and Inaudible Chant Performance in Byzantine Monastic Foundation Documents

Fr Damaskinos (Olkinuora) of Xenophontos

1–13
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A Movie with the Structure of Byzantine Liturgy: Megalexandros by Theo Angelopoulos

Serafim Seppälä

14–29
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Tropus Grece: The Use of Greek-Texted Ordinary Chants in 10th/11th-Centuries Manuscripts from St Gall and Limoges

Nina-Maria Wanek

30–44
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Conference Papers: Ancient & Modern Creativity, Minneapolis 2018

Love, Death, and Resurrection in the Musical Vision of Philip Glass, Franz Liszt, and Ancient Chant A Recital by pianist and chanter Paul Barnes (21 June 2018)

Paul Barnes

45–49
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Byzantine Beginnings: New Pedagogy for an Ancient Art

Amy Hogg

50–62
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An Abbreviated Irmologion

Paul Kappanadze

63–69
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A Bridge Between the Past and the Present: The Musical Realization of an Ancient Poem, "Adam's Lament", in the Penitential Psalms by Alfred Schnittke

Zhanna A. Lehmann

70–82
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Stifling Creativity: Problems Born out of the Promulgation of the 1906 Tserkovnoje Prostopinije

Fr Silouan Sloan Rolando

83–97
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Organs in Orthodox Worship: Debate and Identity

Harrison Russin

98–108
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Conference Papers: Enlightenment and Illumination, Prague 2018

Oleh Harkavyy's Lux aeterna (2018) in "Light" of the Enlightenment

Oleh Harkavyy

109–117
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Conference Papers: Sounds of the Holy, Joensuu 2019

“With One Voice and One Heart”: Choral Singing as Embodied Ecclesiology

Robin J. Freeman

118–127
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Little-Known Indications of Musical Performance from the Fifteenth Century and Their Historical Context

Svetlana Kujumdzieva

128–139
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"A Taste of What Desire seeks": Sensing the Holy in Liturgical Life

Andrew Mellas, Andrew Psarommatis

140–151
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Orthodox Liturgical Chant Traditions and Their Development in Lithuania Today

Margarita Moisejeva

152–159
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The Failures of of a Twenty-Second-Century Historical Musicologist

Costin Moisil

160–163
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Renaissance Music in Serbia

Ivan Moody

164–171
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Preliminary Observations on the ‘Narrated Concerts’ of the Svete Tikhij Choir in Palermo

Maria Rizzuto

172–182
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An Overview of Russia's Late Mediaeval Musical Culture, and the "New Repertoires": Demestvenny, Put and Strochnóe Singing and Notations

Nikita Simmons

183–197
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Miscellanea

A Concise Glossary of the Genres of Eastern Orthodox Hymnography

Elena Kolyada

198–207
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Book / CD Reviews

New Liturgy – Familiar Atmosphere Kurt Sander: The Divine Liturgy of St. John Chrysostom / PaTRAM Institute Singers & Peter Jermihov 2019

Dn Petri Nykänen

208–210
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