Vol 1 Nro 1-2 (1988): Nordic Cinema Studies

• Sisällysluettelo

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Pääkirjoitus

• Nordic Cinema Studies. Now!

  Hannu Salmi

  3

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Esseet

• The Work of Culture in the Age of Cybernetic Systems

  Bill Nichols

  4-16

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• Some Notes on History and Structure of Film Studies in Germany, GFR and GDR

  Joachim Paech

  17-22

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• What is Film History?

  Søren Kjørup

  23-31

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• Filmen som agitator: Victor Sjöströms lngeborg Holm

  Erik Hedling, Anna Meeuwisse

  45-48

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• Frans Lundberg – svensk eller dansk filmproducent?

  Jan Olsson

  49-50

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• The New Unknown Soldier: The Reception of a War Film

  Maaria Linko

  51-54

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• Det Produktiva tomrummet – till läsningen av Pasolinis filmer

  Lars Gustaf Andersson

  60-61

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• Color and Monochrome in Lindsay Anderson's if...: An Analysis

  Erik Hedling

  62-65

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• Roland Barthes and the Analysis of Film – an Introduction

  Palle Schantz Lauridsen

  69-73

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• Avsiktliga drömmar

  Tytti Soila

  74-76

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• Sound and lmage: Some Preliminary Considerations of an Audio-Visual Kuleshov Experiment

  Simo Alitalo

  82-85

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• Signs of Silence – Or the Absent Figure in Film Theory

  Jukka Sihvonen

  90-93

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• The Psychoanalytic Kracauer: Film, Narrativity and lmaginary Totality

  Veijo Hietala

  95-97

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• Subjects in Search for the (Con)text – Inter-textuality and Spectator Subject

  Martti Lahti

  102-104

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• Male and Female Spectator Positions in the Big Sleep (Hawks 1946)

  Vibeke Pedersen

  105-107

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