Vol 1 Nro 1-2 (1988): Nordic Cinema Studies

• Sisällysluettelo

  Lähikuva

  • PDF

Pääkirjoitus

• Nordic Cinema Studies. Now!

  Hannu Salmi

  3

  • PDF

Esseet

• The Work of Culture in the Age of Cybernetic Systems

  Bill Nichols

  4-16

  • PDF

• Some Notes on History and Structure of Film Studies in Germany, GFR and GDR

  Joachim Paech

  17-22

  • PDF

• What is Film History?

  Søren Kjørup

  23-31

  • PDF

• Filmen som agitator: Victor Sjöströms lngeborg Holm

  Erik Hedling, Anna Meeuwisse

  45-48

  • PDF

• Frans Lundberg – svensk eller dansk filmproducent?

  Jan Olsson

  49-50

  • PDF

• The New Unknown Soldier: The Reception of a War Film

  Maaria Linko

  51-54

  • PDF

• Det Produktiva tomrummet – till läsningen av Pasolinis filmer

  Lars Gustaf Andersson

  60-61

  • PDF

• Color and Monochrome in Lindsay Anderson's if...: An Analysis

  Erik Hedling

  62-65

  • PDF

• Roland Barthes and the Analysis of Film – an Introduction

  Palle Schantz Lauridsen

  69-73

  • PDF

• Avsiktliga drömmar

  Tytti Soila

  74-76

  • PDF

• Sound and lmage: Some Preliminary Considerations of an Audio-Visual Kuleshov Experiment

  Simo Alitalo

  82-85

  • PDF

• Signs of Silence – Or the Absent Figure in Film Theory

  Jukka Sihvonen

  90-93

  • PDF

• The Psychoanalytic Kracauer: Film, Narrativity and lmaginary Totality

  Veijo Hietala

  95-97

  • PDF

• Subjects in Search for the (Con)text – Inter-textuality and Spectator Subject

  Martti Lahti

  102-104

  • PDF

• Male and Female Spectator Positions in the Big Sleep (Hawks 1946)

  Vibeke Pedersen

  105-107

  • PDF