Vol. 2018 No. 3 (2018): SPECIAL ISSUE on Catalyses, Interventions, Transformations

Editorials

• Introduction

  Camilla Groth, Maarit Mäkelä, Harri Laakso, Susanna Helke

  I-XI

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• Mask Project: A proposal of an integrated approach to practice-based, costume-led and craft-oriented research

  Johanna Oksanen

  444-466

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• Workshops as a Catalyst for Common Good

  Essi Kuure

  109-128

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• The experience and material of light –metaphysical thoughts and intimate encounters

  F. Derek Ventling

  280-297

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• Material as the Co-designer: exploring a new practice in the nature and at the studio

  Bilge Merve Aktaş

  332-348

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• Narrative writing as art based practice

  Mona Livholts

  10-29

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• The Building Blocks of Drawing

  Tero Heikkinen

  173-185

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• Art After Loss: Aestheticized Memory, Auratic Capability and Affect Through Post-Holocaust Representation

  Dan Elborne

  404-424

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• Artefacts with agency: Fostering resilience through practice-led research

  Tonya Sweet

  73-91

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• The Exotic Terrains – grounding critical walking practice in the post-Anthropocene

  Louisa King

  232-258

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• The Hero’s Journey: An art-based method in social design

  Melanie Sarantou, Taina Kontio, Satu Miettinen

  129-149

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• Colour Flow & Colour Collage

  Barbara Jansen

  298-318

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• From Far to Close (and Back) Material Resistance and Changing Perspectives in Visual Art Practice

  Riikka Mäkikoskela

  349-378

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• The Millbank Atlas: Catalyzing Practice-based Research in a Spirit of the Civic University

  Marsha Bradfield, Shibboleth Shechter

  30-49

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• Mise en Abyme: Drawn intersections between image, body, and space

  Armando Chant

  186-210

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• Heterogenesis of the Anartist: Catalysis of a character, a praxis, a strategy, a knowledge

  Gian Luigi Biagini

  425-443

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• Feral Practice: the ramifications of making-with in a multi species world

  Fiona MacDonald

  92-108

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• Experimental sites and encounters: Open formats as catalysts for the renewal of ethnographic arts

  Eeva Berglund, Tomás S. Criado

  259-279

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• Art, Science and the Meaning of Research

  Tim Ingold

  1-9

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• Haptic Art Experiences Described as Vocals, Sounds and Written Words by Deafblind

  Riitta Lahtinen, Camilla Groth, Russ Palmer

  150-172

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• A Visual Essay: Enabling Entanglements of Cloth and the Body

  Katve-Kaisa Kontturi, Vappu Jalonen

  319-331

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• Material Transformations – Making as a Catalyst of Experience

  Susanna Suurla

  379-403

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• Speculative Practices: Visual explorations, in understanding place making in transient contexts

  Brigitta Stone-Johnson

  50-72

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• Monet and me – The story of an inspiration

  Hanna-Kaisa Korolainen

  211-231

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