The Failures of of a Twenty-Second-Century Historical Musicologist
My paper explores the hypothetical work of a musicologist of the future interested in church music sung in Bucharest in 2019. What evidence would such an musicologist find in manuscripts and printed books in order to reconstruct the repertoire chanted? What would he think about the repertories in use? What would he be likely to miss?
Copyright (c) 2020 Costin Moisil
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