Postmodern messiahs: the changing saviours of contemporary popular culture

Authors

• Sofia Sjö Åbo Akademi University

DOI: https://doi.org/10.30674/scripta.67351

Keywords:

Religious change, Postmodernism, Popular culture, Gender, Women, Media and religion, Feminist theory, Films, Messiah, Science fiction, Television programs, Narration, Body, Human, Mythology, Motion picture actors and actresses, Heroes

Abstract

The messiah myth is alive and well in the modern world. Contemporary science fiction film has taken the myth to heart and given us an endless stream of larger than life heroes. The heroes of the present are, however, not exactly the same as the heroes of the past. A changing world demands new things of its saviours. Using a textual and narrative analysis based on insights gained from feminist film theory and cultural studies, this article looks closely at the messiah theme in science fiction films and TV series from the last three decades. The study explores the changes that have occurred in relation to images of the body, the attitudes and personalities of modern heroes, gender, questions of power and ideas of the transcendent. The article then discusses what these changes both between newer and older heroes and between contemporary heroes and the traditional messiah story might say about religion and spirituality in the modern world. Finally the article explores the question of why the messiah myth still finds an audience today.