New issue of Research in Arts and Education published: Proceedings from Art of Research VIII

The first issue of Research in Arts and Education 2024 contains the proceedings from The Art of Research Confernece VIII, edited by Julia Valle-Noronha and Karin Krokfors. The issue contains a compilation of articles from across the conference themes: https://journal.fi/rae/index

Below is the table of contents (please note that the DOI-numbers attached to each article can take up to 24 hours after publication to be active):

 

Julia Valle-Noronha, Karin Krokfors, 1–9:

• Re-Imagining Artistic Research Art of Research VIII

 

Carla Hamer, 10–24:

• Reimagining Past Histories and Experiences through Performative Photography and Auto-ethnography

 

Marketa Dolejsova, Andrea Botero, Jaz Hee-jeong Choi, Michal Mitro, Agniezska Pokrywka, Škubánek Chewie, Tuuli Mattelmäki, 25–40:

• Feral Experiments in CreaTures Co-Laboratory

 

Ulrike Felsing, Murielle Cornut, 41–53:

• Re-Imagining the Collection of the Kreis Family

 

Natalie Field, 54–67:

• Museum of Extinction The Field Ornithology Collection

 

Anita Kocsis, Sarah Kenderdine, Linus Tan, 68–77:

• From Art Introspection to Selfie Co-creation Looking for Clues from O’Doherty’s “Inside The White Cube” to Improve Evaluation and Design in the Attention-Experience Economy

 

Laureen Mahler, 78–88

• Traversing the Unknown in Research through Art and Design

 

D. Martins, 89–99:

• Collective Care Towards Homeostasis in the Collective Body

 

Emily Pott, 100–113:

• Re-imagining Artists’ Relationships with the Past: Recreation, Attention, Transformation

 

Jessica Blair, 114–124:

• The Exhibition as Assessment: Design Research in Architectural History

 

Tommy Kaj Lindgren, 125–138:

• Primed Figures: Reimagining Architectural Drawings as Technological Mediators

 

Janice McNab, 139–151:

• Our Spectral Gardens: An Ecological Re-Interpretation of The Ten Largest (1907) by Hilma af Klint

 

Luis Vega, Julia Valle Noronha, Gary Markle, Riikka Latva-Somppi, Sara Hulkkonen, Priska Falin, Hanna-Kaisa Korolainen, Maiju Suomi, Gianluca Giabardo, 152–165:

• Making Things that Change: Reconsidering the Fluid Nature of Creative Productions in Research Through Art, Design, and Craft

 

Marsha K. Bradfield, 166–177:

• Future (Re)view : Re-ing and (Re)reading “Future (Re)vision: A Few Reflections on Recollection, Reception and Response in Practice-Based Art Research or: Hindsight isn’t always 20/20”

 

Susana Patricia Chiquinque Agreda, Eliana Sanchez-Aldana, Alexandra Cuaran Jamioy, Andrea Botero, 178–191:

• Inter-weavings of Practice and Research in the Tšombiach (Woven Sashes) of the Kamëntŝa Biya People

 

Danica Maier, Andrew Brown, Joanne Lee, Christine Stevens, 192–206:

• Returns: Back Stitch Methodology as a Reflective Approach to Artistic Research

 

Nesli Hazal Oktay, 207–217:

• Creating Intimate Places for Close by Heart but Physically Apart People Through Remote Embodiments

 

Maiju Suomi, Maarit Mäkelä, 218–233:

• Exploring Ecological Relationality Through Architectural Practice

 

Sara Gómez, 234–243:

• When Eros Drives Artistic Research

 

Patrícia Gouveia, 244–256:

• My Journey Through the 1980s and 1990s as an Art Student and Young Artist

 

Cecilia Cecilia Järdemar, Freddy Tsimba, Rob Comber, 257–269:

• Maye Ma Leka – Reframing Congolese-Swedish Colonial Entaglements

 

Katja Juhola, 270–285:

• Forest Disputes: Socially Engaged Art and Forest Science for Understanding Sustainability Challenges

 

Judith van IJken, 286–295:

• Sleutelen as Photographic Gesture

 

Best regards,

Tina Mariane Krogh Madsen

Managing Editor
Research in Arts and Education (RAE)